Day one: Arrival
Our flight was fine, but of course sleep was on/off and we arrived quite tired. I have always assumed everything works better in Europe, but we landed in a humid airport and a long walk to a 50-minute line at passport control. Lots of people and a high-pitched alarm somewhere that was extremely annoying. All for the literal 15 seconds of passport examination; leaving we approached the source of the alarm which was deafening as we ran through the exit doors. Outside the humidity climbed and poor David was sweating as we got into a waiting, and crowded, bus. Several nice people reshuffled so we could both sit down. I guess we looked pitiful.
It was a long ride into the city where we were bleary, hot, tired, and grumpy looking for our street. It turned out to be a very short walk and we got there without mistakes thank goodness. Nice hotel—The Catalonia Vondel. There are so many small hotels in this part of the city we had trouble deciding where to book but this was a reasonably good choice. Nice staff, an elevator, and lovely room which alas we had to change because the tub-shower walls were SO high it was literally treacherous to climb into and I kept picturing the trip ending with a rush to the ER. We moved the next day to a room with a teeny bathroom but a walk-in shower. Our last 24 hours have a few issues [no maid service, very difficult to adjust the water temperature in the shower] so I cannot recommend it unequivocally. We found the location, on the edge of the museum district, just about perfect.
The Stedelijk Museum of Contemporary Art
Stedeljik Museum was our first stop because we didn’t have to book an entry time. We have gradually come to really enjoy contemporary art and this place is pretty great all around, with one masterpiece that we returned to our last day to see again. It is a short [45 minute] film by Wael Shawky titled Drama 1882, telling the story of the rebellion against the British in Egypt, ultimately crushed by the British. It is an opera, with a hauntingly beautiful score, subtitled in English thank goodness. We both loved it…so much we went back Saturday, our last day and the last chit on our museum pass, to watch it again. It is so poignant, so sad, as the citizens are betrayed by European powers and their own people [“Traitor 1, Traitor 2, Traitor 3”]. The entire film is a masterpiece. I have scoured the net looking for where else it can be seen but after a month long installation in LA I found nothing. It premiered at the Venice Bienniale last year.
The Seafood Bar
Oooh, so yummy. I suppose I should have taken pictures but we were immersed in eating and drinking. Started with 6 oysters, easily equal to the best we have ever had. Then shared the Plateau, a small lettuce salad and huge serving of smoked and cold fish and shrimp. Delectable. Then we shared an order of mixed grill, a tower of fish and shellfish grilled perfectly. We ate every bite. It was a ten minute walk from the hotel and we practically staggered back and fell into bed.
Day 2: RijksMuseum and Indonesian Dinner
Well, this place is justifiably highly recommended in every guidebook…it is enormous, the building is fantastic, the layout fairly easy [though we had to ask at the information desk where the exit was!] and the audio tour essential. The first stop on the tour is the Great Hall, a beautifully adorned, immense space with massive murals that were part of the original construction. I mention this because not long after the museum opened styles changed and all the walls were painted over in white. The audio tour device allows you to “paint” the walls white to see this travesty of modernity over beauty. As the narration explains, years later it was decided the white walls were a mistake and fortunately all the original decorations and murals were intact under the paint which was meticulously scraped away. Phew.







Of course the Dutch masters are well represented and their works remain as appealing as ever. The Night Watch is being restored and behind a glass wall—but visible behind the wall and a reproduction is in the next room over so one can see the details. The tour had ample explanations of why these masterpieces of the 17th Century are as wondrous today as ever. Still lifes that entice you to reach in and take a piece of cheese; interiors (e.g. The Milkmaid) that are inviting and colorful; group portraits, such as The Nightwatch, that transport you to the scene. We loved it.
Afterward we wandered across the canal to a sweet little restaurant, Cafe Mankind, and at 12:30 we were the first people to sit down for lunch. I had learned from the massive sandwich I had had the day before that a half would suffice so we shared a smoked salmon on brown, thin, warm toast. Yummy. We returned to our room for a nap, then had a very good Indonesian dinner in honor of the colonial past and staggered back to bed.
Day 3: Haarlem Food Tour and Frans Hals Museum
We had booked a food tour in the city of Haarlem, a very short train ride, and ever worried about making our way to unknown locations on time we were an hour plus early for the tour so stopped in a nice coffee place with wifi. Thirty minutes in an American sounding guy sat next to us, a talker but an entertaining one. He was born in Indiana but had emigrated to Canada years ago and was now a Canadian citizen. Show off. We had a fun time mostly listening to him, getting in words as we could, as we explored traveling, being Canadian, his time on vacation in Haarlem (which I recommend highly…stay there and take day trips into Amsterdam) , and so forth. It passed the time and then we walked a few more blocks to the food tour.







This food tour was more a walking tour through old Haarlem and its history—our guide introduced the tour by going through all the Dutch-American connections, place names, etc.—a walking tour with great snacks! It turned out the group was the guide, the two of us, and 3 of his buddies. We had a blast. Old Haarlem is gorgeous, with lovely restored buildings, NO CHAIN STORES as a result of city government policy, plazas, canals, narrow alleys of original buildings, built for warehouses and businesses but now residential, filled with greenery (also government policy to keep things cooler—oh, huh, is global warming a thing?), hidden gardens, little green squares surrounded by small row houses built specifically for elderly women or the disabled…everything on a small scale with no more than 3 or 3 1/2 stories per building. I yearned to go shopping in these lovely local businesses but luckily no time. Snacks started with coffee and little savory bites, then a cheese store, an outside market where we ate smoked eel (delicious) and salted herring with onions and pickles, warm donuts filled with raisins, chocolate at a local chocolatier, local craft beer and bitterballen, everything delicious and just right. The tour, we suppose because it was a group of (delightful) friends and the two of us, was four hours! We left the group at another restaurant/bar built on the top of a parking structure with a great view of the city—we had timed tickets to the Frans Hals Museum. We shook hands and left for our next immersion in Dutch painting.
Frans Hals Museum
We liked it. All on one story, surprisingly large, but by the end I felt I had seen as many Hals and Hals-adjacent portraits I would ever want to see. There was a nice surprise at the end—several rooms of the life and work of Coba Ritsema, an amazing 20th century woman painter we had never before encountered. I was sad that the only book of her work on sale was entirely in Dutch. She is worth tracking down.




We headed back to Amsterdam thinking we were on a bus to the Haarlem train station but it turned out to be a bus to Amsterdam South Station. A hop onto a tram and we were back in our neighborhood. We redeemed our champagne coupons (a very generous pour) and wandered across a few canals to have a fast burger and fries supper. Easy and fun—we were worn out and looked forward to bedtime.
Last Day: Van Gogh Museum! And a return to Stedelijk for Drama 1882 redux
Oh boy. We had 9:30am tickets to the Van Gogh Museum so after a stop at our favorite bakery for rolls and coffee we hurried over. It was just opening and the line was long, but these major museums have maximum tickets/day and timed entries so while there were a lot of people it was manageable.
So many of his paintings are iconic and well known. I did my best to not take pictures of his work unless it was new to me—his chairs and a small country scene that kind of stunned me.



We like Van Gogh but here I realized how little I knew of him. (In April we had spent a few hours in Arles, his second-to-last home, so we knew a little bit about the events of his life.) This museum is fantastic, not to be missed. It is huge. We got the audio tour which was well done, and the first special exhibit was all about his time in Arles where he painted this particular family over and over and became very close with them. Van Gogh had decided to be a portrait painter and it was here, with these models, that he learned his approach. You have seen his pictures of the Roulin family if you have ever seen anything of his. He painted a version, e.g. of Postman Joseph Roulin, and then painted multiple versions; the same for his wife, a beautiful rendering of this beloved friend, over and over with subtle changes. He did the same with his self-portraits, changing the colors of the background and clothing. They are wonderful. That he was already struggling mentally adds a dimension to understanding his work in this era. He also wrote hundreds of letters to his brother Theo, fortunately and lovingly preserved and transcribed by Theo’s widow. He wrote with intensity and awe about art and what it meant to him and, he hoped, to his viewers. Many of these letters were quoted in the audio tour and wow.
I had not known that painters of this era in France, where he went to learn to paint, were excited to experiment with new science of color. Van Gogh and others used dabs of many colors to let the beholder’s eye blend into another color. In the museum they have extreme (via microscope) close ups of one of his paintings to show in detail how the shapes and colors of these dabs create depth and interest. Also little grains of sand in a painting he did at the seashore. So cool.
Dutch Lunch
We had lunch reservations at The Pantry, a tiny, famous, old restaurant a 10 minute walk from the museum. Fun and yummy.





Drama 1882 Redux
David and I were so enchanted by the movie the first time we visited Stedelijk we wanted to see it again. I wish it were widely available, e.g. on YouTube or venues in the US, but I have scoured the web without finding anything. It played at the LA Museum of Contemporary Art for a month this spring.
We had one more museum left on our pass and we chose to use it to return to Stedelijk. Friends, I cried. It is so moving, so beautiful, so very unusual. We were so happy we could see it a second time. A masterpiece. Wael Shawky. Remember that name.
Fancy Dinner with our beloved niece
We had reservations at Bak, a place that occupies a corner of the top floor of a warehouse on the river (not a canal!) renowned for its tasting menu. We had to deposit 40 euros per person to hold the reservation, and we hoped it was worth it.






It was. These kinds of meals are such fun, and perfect for a long evening of conversation. Lauren joined us and we talked and ate for hours. Service is attentive and unfussy, food delicious, and when they didn’t have the (least expensive) rose they substituted a spectacular French rose for the same price. After gin and tonics, all that food, all that wine, we were sated to say the least. To complete the luxury of the evening we shared Uber with Lauren (we of the always take the local transit habit) and returned to our room feeling as if we had enjoyed our narrow version of Amsterdam sufficiently.
As I write this we are on the fast train to Paris for another ten days of sightseeing, museums, and food.







































































































































