While we were here the shocking theft occurred and, though we had left the Louvre in the “maybe” column, this cinched things—the museum closed, and the morning of the theft our bus was rerouted to avoid the vicinity. Fortunately we had already selected several other museums to enjoy, and enjoy we did.
Musee d’Orsay
Musee d’Orsay…a train station transformed into a gorgeous, albeit confusing, temple to art—painting, sculpture, art nouveau furniture, and more. The building itself is massive, with some galleries by theme (French Impressionism) and some by donating collector. So you think you have absorbed all you can of French Impressionist painting…until you wander into another part of the building where a private collector’s donation includes even more. A great experience, utterly exhausting.
On the top floor are several lovely views of Montmartre and Sacre Coeur.
I snapped the smallest selection of stunning paintings, including this beautiful portrait by Singer Sargeant (the special exhibit and it was a stunner), two very different Renoirs, and one Van Gogh from his final few months of production. Re the Van Gogh, you can almost feel the manic energy he must have been feeling as he painted faster and faster.
Portrait by Sargeant of Violet Paget, who went by pseudonym Vernon Lee.Van Gogh, obviously, painted in his last year in his frenzy of production.This was new to me, and so sweet. Renoir’s Jeune Femme a la Violet. Epitome of zoftig. Renoir, of course.
Musee Jacquemart-Andre
This stop was a recommendation of a friend and it was different and kind of amazing. A wealthy man, in some decline in health, married a young friend of the family arranged by them so he would be cared for, and they built and filled an enormous, enormous mansion with art. Paintings, sculpture, frescoes—they traveled Europe buying things and when they died willed it to the city. The house and its hodgepodge collection is entertaining, but the real gem was the special exhibit—absolutely magical paintings by Georges de La Tour, whose work was completely forgotten after his death in 1692. He was not rediscovered until 1919, by an art historian who went on to curate Hitler’s (stolen) artwork. They had maybe 30 of his works, some quite large, and they cast a spell in the way he used candlelight to illuminate a scene. He also painted scenes of common people when this wasn’t popular, in addition to his (mostly) religious scenes. It was great, albeit the exhibit was very crowded.
Great, great, great! We saw lots of things we liked by artists we had never heard of. Like the d’Orsay, there are exhibits by era and also by private collector/donor. The first big room—a huge room-wrapping mural about the scientists who contributed to the development of electricity—is a stunner.
The Duffy mural and spider are stunningNu Couche by Tsuguharu Foujita, (inspired by the famous Manet) Studio paintings are always fun. 1904, Jean HelionOutside, the Seine. Inside, art. If I recall correctly this is Interdit est Interdit…forbidding things is forbidden. Who loves Matisse? Catherine loves Matisse!
Thanks to David’s excellent planning and ticket management we were outfitted for our Eurostar train mid-morning Sunday and without a hitch were boarded and on our way. Surprisingly there was no electrical or USB support but we were charged up and had our trusty little backup battery. Never travel without one!
Gare du Nord, our introduction to Paris
David had also researched the bus-metro pass options and combined with my French we bought just what we needed at the train station in Paris—a one week pass good for every mode. The trick is knowing it runs from Monday through Sunday, so David knew we needed a bus pass for just the one trip from Gare du Nord to our hotel. Seemed like a few moments and we were checking into the Joyce Hotel in Montmartre. Great location, pleasant hotel with warm and helpful staff, comfy room and bed. The first night, though, the room was waayyy too warm and we got little sleep. The next morning I sorted it out with the front desk and since then we have had a cool room and good sleep. Fortunately bcause we have been kicking it every day!
Here are the highlights for days one and two.
Sunday
We were tired, we were hungry, we were disoriented. After unpacking, such a joy since we are staying in one place for 10 nights, we found a close-by bistro and went to dinner. I laugh as I write ’close by’ because I don’t think you can throw a stone in this city without hitting a bistro, a brasserie (bigger, bigger menus), or a boulangerie (bakeries that usually have savory things too like quiches and sandwiches). We landed at Poni, a very friendly place that takes walk-ins and has a wonderful vibe. When we went back a few nights later the guy behind the bar remembered us and where we sat and as we left said “see you tomorrow.” I had ‘salade cobb’ as I was hungry for veggies after Amsterdam, David had his first of so-far 3 boeuf tartare. The salade was enormous, the wine just fine, the tartare very good.
Poni’s salade cobbBrioche Perdue came with 3 scoops of whipped creamGreat vibe, so friendly
We dragged ourselves back up the hill and fell into that first too-hot night and thus crummy sleep.
Monday
At 11am we met in Le Marais for a food tour through Viator. First stop, a classic boulangerie, everyone got either pain chocolate or a croissant. You know David had the pain chocolate as he has had every morning since. Following a little talk on boulangeries, historic preservation, and a some Le Marais background we walked to a fromagerie, Laurent Dubois. The owner also ages cheese for other cheese makers (I have read about this—you must have very specific attributes to age cheese…temperature, ambiance, skill). The owner has won the annual award for excellence several times, and has cases of his special creations out front. Our guide bought two cheeses, a comte aged 25 months (not exactly the same as what we get at Costco!) and a creamy, mild blue with two ribbons of hazelnuts, probably 5” high. You cut it like a pie. The guide had bought two baguettes at the boulangerie so we expected cheese and bread at some point. He walked us to a wine shop/restaurant, Vins Des Pyrenees, another award winner. A table was set for our group of ten, each place with two wine glasses. Uh oh. It was about ten minutes to noon! As soon as we were settled every two people had an enormous croque monsieur delivered, fortunately cut in two to share. I personally could eat about half. THEN we had two wines, something red I don’t remember (very good) and a delicious viogner. We were presented with the two cheeses and sliced baguettes! So much food. The blue with the viogner was recommended and yup, so good.
Historic boulangerieNot ready for what was comingThat is a half croque monsieur; couldn’t finish itOh, that comte…and the blue!ALMOST finishing up…still had meringues to goWhat was called a townhouse, later taken over by workers during the revolutionOpposite the house, a building for growing tropical plants and trees
Next we were guided through hidden gardens and picturesque streets, with a bit more history, and paused in the small Jewish area where our guide sadly told us the falafel place he wanted us to sample was closed for Sukkot. We groaned—so much food! But he had a consolation prize, a nearby chocolate shop where we each got to pick 3 chocolates and/or macarons. I am not a macaron fan but these were ethereal, and it was easily the best chocolate I have ever had. We walked some more, learned more about the neighborhood, and then a last stop at a meringue shop. I passed, David popped one down, and we hurried off to a 2pm entry at the Musee Jacquemart-Andre.
Le Marais streets
It was a bit of a trek, with a long walk and a bus ride, then more walking, and we hopped into the “avec billets” line. This is an enormous mansion, donated to the city, and as such has the large, old rooms filled with objets d’art, the original furniture (it was built at the end of the 19th century), lots of paintings, and an exhibition space which, when we visited, had a pretty breathtaking collection of the paintings by Georges De La Tour, 1593-1652. He was a successor to Caravaggio, then all but forgotten after his death until he was rediscovered in the 20th century. His work is beautiful in many respects but especially for his use of dark and light. Many paintings are illuminated by a single candle. Worth a look.